In Heir to Malla, you meet Queen Charu, stepmother of Meera and Jay. Is she an evil queen? Not quite. I featured her in a blog post.
Tears welled in my eyes anyway for the mother I lost, and my stepmother who got her wish to wear the crown but knew no real happiness.
Grandmothers and the tales they spin can be magical. Meera’s grandmother plants seeds in her mind of what her life will be like as a queen. I wrote about how my grandmother inspired my writing journey.
The wonderful sibling relationship between Meera and Jay features prominently in my trilogy.
“The one our mother taught us?”
“I don’t remember her, let alone her voice. I only remember you singing to me.”
Of course, many aunts act as mother figures in the story.
He cried out for his mother last night. I watched as Aranya comforted him tenderly and calmed his demons.
A mother’s love is complex, and I enjoyed exploring the different layers of it in my story.
What is your favorite portrayal of mother in fiction?
This book concludes the story of Meera and Jay and is a culmination of my eight years writing journey.
We first meet 19-year-old Meera and her 16-year-old brother, Jay, in Heir to Malla. In the first chapter, our protagonist dreams about marriage and love. The chapter ends with her learning that her brother has gone missing in enemy land.
What follows is a tale of love, adventure, and royal intrigue set in medieval India. From the gods worshipped to the food served at the feast, the book offers a taste of 9th to 11th century India. I enjoyed writing this coming-of-age story, especially Meera’s. At the start of the book, Meera is a traditional princess, content to let her father and brother manage the affairs of the court. Then things change for the worse, and she is forced to take charge of her destiny.
Meera and Jay return to face the consequences of their actions in War of the Three Kings, set a decade after book one. This book starts with another Meera chapter, showcasing her domestic bliss, with a peek at her heart in conflict, and plunges into chaos with a death of a beloved monarch. I loved the many storylines in this book, some happy, others tragic. One, in particular, tore my heart. My characters are not playing with blunt swords anymore. So the outcomes are unpredictable.
Burden of the Crown will wrap up Meera and Jay’s tales. This series has been a magical ride for me. Some of the arcs started in book one conclude in this book. It has been an absolute joy writing about this land, where I could let my imagination run wild. I will share an excerpt soon.
I recently attended a local author event put together by Ahaana, a non-profit that encourages men and women in the South Asian community to speak openly about taboo subjects such as domestic violence, abuse, and abandonment. They increase awareness through community events like these.
I am usually nervous about public events, but the friendly audience put me at ease. I shared the stage with two amazing South Asian women. Davinder’s story and her courage were inspiring. Kelly is a legal powerhouse. I am looking forward to reading their books!
I chose to read some passages from Chapter Two: Queen Charu. Strong women come in many forms. Some of Charu’s struggles still resonate in the modern world. I wrote about her in an earlier blog post.
Writing is a solitary activity, so I cherished the questions after. It gave me a boost of energy. Susheela Narayanan from India Currents attended the event and featured it in the magazine. Thankful for her kind words.
As an author, I am grateful for the support of organizations like Ahaana. Please donate to their worthy causes.
I am writing the conclusion to my Land of Magadha trilogy. Though it is hard to say goodbye to these beloved characters, the story is approaching the ending I had envisioned from the beginning.
This is when I have the most fun. Writing my story. Making my characters fall in love, despair, or rage. I have a rough outline for the tale, but I have already taken some detours. Sometimes, my characters surprise me with their fear, jealousy, or tenderness.
Most of us have heard the saying: Practice makes perfect. In the case of authors, writing does make us better. But what if we are practicing something wrong. Then we carry those bad habits from book to book. How do we improve our craft without relying on our editors to come and save the day?
Luckily there are several different ways.
We can read novels by other authors. This is my favorite option because I love to read. I have read 24 books so far this year. Reading helps us see how other authors structure their stories. Sometimes, I am too caught up in the narration to pause and observe the style. Which is not a bad thing.
You can also attend writer’s conferences or take courses. I have attended a local writer’s conference in the past and hope to take part in one next year when the world returns to normal.
In the meantime, I have been reading a few books on writing. While there is no magic wand, each book I have read has expanded my horizon. You can check out the writing books I have read here.
My most recent book is Characters & Viewpoints. This book is written in an easy-to-read style while imparting a lot of knowledge. I enjoyed the writing samples sprinkled throughout the book that conveyed information more readily. For my Land of Magadha series, I choose first-person POV because a few fantasies I had read used it. This book discussed all the different POV options and its merits. I might use third-person limited POV for my next series based on what I learned here. I recommend this book for aspiring writers and current writers.
Writing is a solitary journey. We authors think about our characters constantly. Meera and her world enter my reality while I am cooking—walking—in the shower—waiting at the stoplight. They become our friends and family. Then one day, we share our baby with the outside world, with our heart in our hands.
Then comes the reality all authors must face and dread—a negative review. Such reviews may turn our fight or flight response. Neither is beneficial for our writing journey. Writing a book review with constructive feedback is an art by itself. We should learn to treat these reviews as gifts and cherish these reviewers. This is not easy, and it is okay to call a friend and have a meltdown. Just keep it off social media.
As writers, we want to improve our craft. Constructive feedback gives us a valuable window into the mind of our readers. While we cannot make everyone happy, it is crucial to know what readers of our genre expect.
If a reviewer is malicious, please ignore and move on. Picking a fight is not worth your sanity. The good news is most reviewers are thoughtful.
So next time you get a negative review, bake bread and take your anger out on the dough. Then take a deep breath and understand it is not personal. Read the review and mine for the gold nuggets to take your writing to the next level.
Keep writing! I am cheering for you and looking for the next book to fall in love with.
I write medieval fiction. While my story is set in the fictional land of Magadha, it is loosely based on India around those times. As an author, I do have a choice on what aspects of the culture I reflect in my story. Some of these, like polygamy or women’s agency, is not aligned with modern sensibilities. What should a writer do? Write the story they want to share.
Royal dynasties in the Indian subcontinent commonly practiced polygamy. This practice appears in my books. Whether I approve of it today is not material to the tale. It is a plot device in the hands of an author. I imagine how it must have been for characters to be in this kind of relationship. And I put them in situations that will result in a conflict of their human hearts. I strive to do this without judging them based on my modern awareness.
My female characters inhabit a world where they do not have any agency on their own. They are dependent on their male family members for their authority. Their daily lives differed from mine today. I enjoy writing about the human heart in conflict, the struggle between love and duty, the strife between self and society. For that, I imagine how female characters with different attributes will survive in this world. I place them in harm’s way, tempt them, lead them down wrong paths. And some characters like Meera surprise me with their strength and steadiness.
Readers come to the book with their own life experiences, and once a book leaves my hands, I have to let the readers take it from there. To enjoy, experience, emphasize, fall in love, grieve as they choose.
Looking forward to hearing your thoughts on how you approach reading books that have practices that we condemn today.
I am an author of medieval fiction “Heir to Malla”, a story of a princess fighting her battles without wielding a sword or a wand.
When the world around us is unpredictable and chaotic, we all need an outlet to escape reality.
I can pick a book to read and get lost in its pages for hours. I can be following a Scotland Yard Inspector solve a murder mystery in gloomy grey London. I can be shapeshifting in a magical realm, chasing a dark lord bent on destructing the world.
I started writing five years ago, and quickly, Heir to Malla became more than a novel. Writing became a way for me to relax. The creative outlet allowed me to meditate about characters and plot, rather than worry about everyday struggles.
Writing my second book in the Land of Magadha series has kept me sane during this pandemic. I may not be able to travel anywhere in the real world, but my characters have been riding elephants and horses and sailing the seas.
These characters that have been with me for over five years feel very real to me, and I can forget about the virus for some time every day and write about Meera and Rish.
Imagining a dark corridor, hearing the sounds in a battlefield, or describing a palace feast let my mind savor these things. Instead of obsessing about things I cannot control, I can chart a course for my story.
What are you doing to keep your sanity in these times?
My first inspiration was my grandmother. As a young child, I spent several summers with her. Mealtimes were storytimes, and I remember prolonging it, so I can hear one more story. Her stories based on Indian mythology would bring characters to life. She had excellent delivery for comedy and would have my brother and I laughing at the funny stories.
As I grew older, I read practically anything I could get my hands on. My mother would buy used books for me to read. And I used all my allowance at the local lending library borrowing books for one rupee each. I have read Tamil novels by Kalki, like someone dying of thirst gulps water. Greedily.
I have read all Jane Austen novels. Who says romance is easy to write? To write a book that appeals to someone 200 years later is monumental. Her female characters are witty, headstrong, make mistakes, and very human.
I have read several Charles Dickens novels, and my favorite is A Tale of Two Cities.
Epic fantasies with complex plots, alternate universes, and a myriad of characters are a delight to read. I have read Lord of the rings, Mistborn series, A Song of Ice and Fire, among others. Magic, when weaved carefully into a tale, can be a powerful tool in the writer’s tool kit.
Science fiction opens our mind to possibilities, and Neal Stephenson books tackle some contemporary issues, and the Dune series takes you into space.
You can find more of the recent books I have read on Goodreads.